Astrologer Interview: James H. Holden (Part 3)
September 6, 2008 by Nina Gryphon
This is the third part of an interview with astrologer, author, and translator, James Herschel Holden. Mr. Holden has a number of translations coming out in summer and autumn of 2008, including Books 16 and 17 by Morinus, and a collection of ancient astrological texts in Five Medieval Astrologers. To catch up, read Part 1 and Part 2 of the interview.
NG: I was curious what prompted all your recent translations.
JH: There is one thing that’s causing some of them to come out pretty close together. I don’t know if you’re aware of it but the AFA was reorganized last year. And now we have a new chief executive officer, Kris Riske. For about six months or a year before last summer I don’t think the AFA had printed very many books. And this was partly because people hadn’t offered any and said, “Hey, I’ve got a book; would you like to print it?” And then when the AFA was reorganized, why it took six months or a year to get the office straightened out, because there were a lot of things that needed to be done with a leadership change. So during that time they didn’t publish any books, because they were busy doing other things. And it’s just in the last few months that Kris Riske, who also is the principal editor, has had time to deal with anything like that.
And so some of the things that she’s done for me, I had done in earlier years, but they’re coming out close together now, not because every month I did something new, but they’re just kind of sitting around waiting to be published. And there’s more to come.
If you’re interested I can tell you a little bit about the Morin Method. Twenty years ago, and for two or three decades before that, there were only two people to my knowledge in the United States that knew anything about the Morin Method and they were the only ones that had ever even heard of it, except for the Morinus system of houses which is kind of a joke. But anyway, one of them was Zoltan Mason, and he was in New York City. And the other one was a man named Gerhardt Howing who lived in Dallas. I used to be in Dallas. And I attended some classes with Gerhardt and he taught the Morin Method. Now those to my knowledge were the only two people in the United States that knew anything about it. And both of them taught classes. And Bob Corre was a student of Zoltan Mason.
Mason died a couple years ago I think. And he hadn’t been teaching any for the last few years of his life. But Corre has picked up where Mason left off and he is a very active teacher of the Morin Method. He travels all over the world. He’s lectured all over Europe and Australia and every place else on it. And he also has a correspondence course over the Internet that you can sign-up for. And Corre has encouraged me to translate a good many of the books of Morin’s Astrologia Gallica.
And that’s what caused me to do most of those. And I think the method is good, and Corre finds them useful in his course so I havel translated aquite a few of them.
I have a new translation of Firmicus, for example, that I hope we can get printed this year. And I think it will be a considerable improvement over the Bram translation that’s available now.
And also, there’s several other things. Like I said, Book 25 is going to come out on Meteorology and Mundane Astrology, which I think people that are interested in either one of those will like.
Incidentally, if you are interested in Meteorology, Kris has written a book on that. Kris did something that I think a lot of people didn’t do. She actually collected statistical data on notable hurricanes and all kinds of storms and things like that and studied them astrologically. And [she] took some of the old rules that were in the old books; and well, she tried them out to see if they work. And so the book that she wrote is based on practical experience, and she gives a whole lot of examples in there. So, if you’re interested in that subject, I recommend that book.
NG: Are you also a practicing astrologer, whether amateur or professional?
JH: No, I’m not. Actually, I’m a retired telephone engineer. I worked for the phone company all my life. And I was a senior engineer, and then I got put in charge of the engineering budget for the state of Texas. That was when I was living in Dallas; I’ve only been here in Phoenix since `93. And prior to that, I was living in Dallas. And I would say that I never did practice professionally to amount to anything. I have read charts and answered questions for friends and family, for free of course. I think we all do that. And I had have done some work for pay in the past. Nothing in recent years. But if somebody came up to me that I hardly knew and wanted me to do their chart or answer a question or something, I charged those people. And I did it partly for this reason: I thought, well some other professional might have gotten this job and if people get the idea that they can get it done for nothing, why then I’m sort of knocking somebody else out a fee. And since I was a Professional Member of the AFA, I thought I guess I really ought to charge people that weren’t close friends.
But as far as having a standard practice or putting my name on the door and having the public come in, I never did that at anytime, because I didn’t have time, for one thing. And after I retired, I spent most of my time studying and writing books. That’s all I did.
JH: You were curious about how I got started in astrology. You’ll laugh at this. I think I was about twelve when I got interested in astronomy. And I studied up on the planets and their orbits and the stars and eclipses and all that kind of stuff. And the next year I took note of a publication that we got every year which was an almanac that was printed by the Telephone Company. And on the front, they had the figure of a man with the signs of the zodiac all around, Aries for his head [and so on]. And then they had some Sun sign material. I think they had one page of that in there; and I read that,and I got fascinated by that. I thought, hey, this is something really interesting.
And then that was age thirteen. I guess when I was thirteen and maybe early fourteen, I used to occasionally go to the beauty shop with my mother; she would pick me up at school, and then stop off at the beauty shop to get her hair done, or something like that. And here I am a teenage kid sitting there with nothing do. They had two kinds of magazines. They had movie star magazines and they had astrology magazines. Well, at thirteen or fourteen, I couldn’t care less about reading about movie stars. But I began to read astrology magazines. They had Horoscope. They had American Astrology. I think there was one that used to be called World Astrology, and there were two or three others. Back in those days there more of them than there are today.
And I read those and I looked at the charts and I got fascinated. And I found out they were sky maps and I looked at the numbers around the edge, the cuspal numbers. And I wondered how they figured those. And I got real interested in all of that, and I guess in a way, that’s what really sucked me into astrology. Like I said, when I was around eighteen I got hold of a copy of Ptolemy’s Tetrabiblos. And about the same time I found the Latin text of Julius Firmicus. I’d had four years of Latin in high school so I could read Latin pretty well. And at the University I had had nine hours of Latin, in which I guess would be fifth year and first half of sixth year. So I could read the Latin without much trouble. And both of those books fascinated me. And they got me interested in the old stuff, and then I began to apply the astronomy that I had.
Well, I did quite a bit of those things like you saw in the introduction to The Book of Flowers, I was working on that thing back in the sixties. When I’d get bored with doing anything else, I’d say oh, I’ll get that out and translate another page or two, something like that. And also I had in the late fifties and early sixties begun to acquire the Greek texts of some of the classical Greek astrologers that had been published in Europe. And I taught myself Greek and I began to translate some of those.
NG: You must have a real gift for languages.
JH: Well, I guess I do or I wouldn’t have been able to have done it then. I can’t take any credit for it, I guess you’re born with that sort of thing. I have thought to myself sometimes, and I don’t say this as a piece of braggartry, but just as a fact. I think of all the people in my high school that took Latin I’m probably the only one that ever did anything with it.
To show what you can do, I got that Latin text [Guido Bonatti’s Book of Astronomy]; I guess I’ve had that thirty years or so. And I sat down one day and I made a table of contents for it. The pages aren’t numbered, but they ave what they call folio numeration every fourth page: why, you’ve got B and then you’ve got one, two, three, four and then you’ve got C, and so on. And I made a complete index of the whole thing, so now if I want to look up something, well I get that out. I can open up the book and find a page that’s got that information on it. So it’s kind of handy. And then I discovered the Universal Bookstore (or something like that) up there in Canada that reprints old books. Anyway, they’ve reprinted a lot of the old books,and they offered Coley’s book, for example. And I bought that thing, oh, I guess twenty-three years ago.
I got several other of the 17th century English books that they reprinted, and those are very handy. You can find a lot of stuff in there that you’d be hard put to locate in the modern books. Like I said, Coley had done the three Centiloquies, and that was the only place I knew where you could find all three of them. And I don’t know that anybody ever did al-Mansur, or I guess somebody must have translated it, but I’ve never seen it. Anyway, that’s some of the stuff that I put together over the years.
[Read the final Part 4 of the interview with James Holden.]
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